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	<title>Comments on: Review: Street Photography NOW</title>
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	<link>http://streetreverbmagazine.com/books/review-street-photography-now/</link>
	<description>Dedicated to promoting, publishing and discussing contemporary street photography.</description>
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		<title>By: C LIVSEY</title>
		<link>http://streetreverbmagazine.com/books/review-street-photography-now/#comment-22</link>
		<dc:creator>C LIVSEY</dc:creator>
		<pubDate>Sun, 17 Jul 2011 20:04:00 +0000</pubDate>
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		<description>No replies  to your quiz ?

Koudelka &quot;fireworks&quot; appears in both all be it as a &quot;thumbnail&quot; in Now. Interesting they quote it as 1973 but Bystander has it as 1971 as do all the other sources I have checked.</description>
		<content:encoded><![CDATA[<p>No replies  to your quiz ?</p>
<p>Koudelka &#8220;fireworks&#8221; appears in both all be it as a &#8220;thumbnail&#8221; in Now. Interesting they quote it as 1973 but Bystander has it as 1971 as do all the other sources I have checked.</p>
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		<title>By: Wendy Ploger</title>
		<link>http://streetreverbmagazine.com/books/review-street-photography-now/#comment-289</link>
		<dc:creator>Wendy Ploger</dc:creator>
		<pubDate>Fri, 12 Nov 2010 14:44:00 +0000</pubDate>
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		<description>Surprisingly, I first heard of the book when I stumbled upon it in a small bookstore in Brooklyn - no computers involved. Bought it, love it. Even my friends who aren&#039;t tuned in to the street photography genre love it as well. And now I&#039;m enjoying the response I see online. </description>
		<content:encoded><![CDATA[<p>Surprisingly, I first heard of the book when I stumbled upon it in a small bookstore in Brooklyn &#8211; no computers involved. Bought it, love it. Even my friends who aren&#8217;t tuned in to the street photography genre love it as well. And now I&#8217;m enjoying the response I see online. </p>
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		<title>By: Athena Kardianou</title>
		<link>http://streetreverbmagazine.com/books/review-street-photography-now/#comment-288</link>
		<dc:creator>Athena Kardianou</dc:creator>
		<pubDate>Fri, 12 Nov 2010 13:36:00 +0000</pubDate>
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		<description>Nice presentation Bryan and very cohesive. I have bought the book and I was mostly thrilled with the new &quot;discoveries&quot;. The reproduction is very good indeed. I am passionate about street photography as much as you are, both as an advocate and as a photographer, but I think the most frequent criticism about the genre is the absence of, in most cases, profound content that can lift a body of work into a meaningful narrative.
I&#039;m not implying that this is the case, but this is what makes street photography really tough contrary to the widely perceived notion that is easy.
And now a small quiz for the people who have read SPN and the Bystander. Which is the only photograph that&#039;s been reproduced in both books? 
</description>
		<content:encoded><![CDATA[<p>Nice presentation Bryan and very cohesive. I have bought the book and I was mostly thrilled with the new &#8220;discoveries&#8221;. The reproduction is very good indeed. I am passionate about street photography as much as you are, both as an advocate and as a photographer, but I think the most frequent criticism about the genre is the absence of, in most cases, profound content that can lift a body of work into a meaningful narrative.<br />
I&#8217;m not implying that this is the case, but this is what makes street photography really tough contrary to the widely perceived notion that is easy.<br />
And now a small quiz for the people who have read SPN and the Bystander. Which is the only photograph that&#8217;s been reproduced in both books? </p>
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