“Where?” we already know. But whether with a respect for his own safety or a conscious or unconscious thought-process to shoot from that position, what Kalvar has inherently done is embellish the photo with an atmosphere of confusion as to “Why?” (this man is naked and stumbling around on a bridge) and speculation as to “What?” (this mans state of mind is and intentions are).

I think in the process of taking this photo Kalvar has subtly revealed an impressionable sense of his own cautions and inhibitions with regard to the subject and the questions of “Why?” and “What?”. ….I could imagine Kalvar looking at this photo any time after reliving the reality of the moment over-and-over again.

For me its this extension of the photographers presence, state-of-mind and physicality that provides the photograph with a wonderful connectivity and engaging dynamism. Kalvar hasn’t just documented a naked man in a strange weird moment, he has physically, mentally and emotionally been a part of the moment.