“You know, he (Winogrand) set a tempo on the street so strong that it was impossible not to follow it. It was like jazz. You just had to get in the same groove… You know, if you hesitate, forget it. You don’t have to learn to unleash that. It was like having a hair trigger. Sometimes walking down the street, wanting to make a picture, I would be so anticipatory, so anxious, that I would just have to fire the camera, to let fly a picture, in order to release the energy, so that I could recock it. That’s what you got from Garry. It came off him in waves – to be keyed up, eager, excited for pictures in that way.” – Joel Meyerowitz, from Bystander: A History of Street Photography
“I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and talk, and then watch and wait some more, trying to remain confident that the unexpected, the…