Video: Philip-Lorca DiCorcia Discusses Heads Series

Broadcast from his home in New York, American artist Philip-Lorca DiCorcia confesses how he hunted the subjects of his series Heads currently on display at Tate Modern in Exposed: Voyeurism, Surveillance and the Camera at Tate Modern until 3 October 2010.

‘I never Talk to them… I don’t ask their permission. I don’t pay them… And eventually…I got into trouble’ – Philip-Lorca DiCorcia

Part of a series of Exposed interviews available for free on your mobile phone at Tate Modern: http://bit.ly/bMTtrb

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  • http://www.facebook.com/jereminov Dragan Jereminov

    thing about rules, are there are no rules… dont be narowminded… expand yourself… do whatever…

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  • http://www.facebook.com/profile.php?id=100001148174858 Mario Cuic

    Tele lens or not, Intresting Faces, BUT

    But the biggest Problem i had with his Pictures there is nothing Special making them.
    Don’t have to be fast, don’t have to cover your camera don’t have to be inconspicuous amongst the People.

    The most Work is aftermath to choose the best Pictures. This Kind of Streetphotography is for unexperienced Users.

  • Anonymous

    28 or 35mm lens at F8 7 feet away on a nice sunny day. Get in close, be in it. Be a part of it and take from it what your putting in. You have to take equal to what you give for street photography.

    Joe Vega Flickr

  • Aaron Macfarlane

    Aaah, telephoto lenses always make me (an avid street photographer) feel like a creepy stalker. I do not recommend it.